Exhibiting Natural Forms

We have entered the last week of our current exhibition and I recommend for all of you (within reasonable distance of central Connecticut) to come and visit “Natural Forms” before it closes on April 9th.  That’s this Thursday, so hurry up!

As I get back into the rhythm of writing, I can’t help but feel a bit guilty for not having written in two months.  So I am hoping that this post reaches the masses so they can discover the beautiful artwork we presently have installed in our CCSU Art Galleries.

It was a chaotic few weeks prior to the opening of Natural Forms on March 23, 2015.  Logistics for transporting artwork to our gallery took a bit of communication, team work and lots of energy.

The four exhibiting artists were Josh Axelrod, photographer from Vertmont; Amelia de Neergaard, installation artist living and working in Connecticut; Raphaela McCormack, a fiber artist originally from West Ireland living in Rochester, NY; and finally Bryan Nash Gill, a Connecticut artist who worked making relief prints and sculptures.

Raphaela McCormack - Of The Sea
Raphaela McCormack – Of The Sea

All the artists’ work relates so well to each other in this exhibition, it is as if they spoke the same language or carried the same spirit.  And it’s how we relate to all of it that makes for an important insight.  Come and sit on our bench and enjoy the serene movement of de Neergaard’s “River of Trees,” it will clear your mind.  Need a breath of fresh air?  Axelrod’s landscape photos can provide you with that as well.  Or you can get lost in any of Gill’s etchings which seem to have endless layers to them.  As for McCormack’s forms, you can almost picture her vessels drifting on the water toward the horizon.

Amelia de Neergaard by her "Gyre Locust" pods
Amelia de Neergaard by her “Gyre Locust” pods
Josh Axelrod next to his photographs "Taking the Turn" & "Arc"
Josh Axelrod next to his photographs “Taking the Turn” & “Arc”

McCormack’s abaca pulp (made from banana leaves) forms were the original inspirations for Cassandra Broadus-Garcia, the curator (my boss), to put these four artists’ work together and create a very raw escape from the concrete and technological.

Hoping that you will appreciate browsing through the pictures from the exhibition, I leave you, also, with a short video of Bryan Nash Gill from Martha Stewart’s American Made series.

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