Last Saturday was one of the coldest nights we have had in Connecticut. The day before Valentine’s, which had a record this year of being the coldest Valentine’s Day since they started to record the highs and lows.
But, for one reason or another, we decided it was a good night to take in some culture from around town.
My husband and I put on a bunch of layers and made our way to Hartford’s Artspace gallery. If you live in CT and don’t know about it or have never been there, you should. The gallery resides in the first floor of the beautiful apartment building right across the train station in Hartford. The apartments are beautiful, just the kind I dream about converting into a studio, high ceilings, lots of natural lighting, and a bit of an industrial feel.
The Artspace gallery is volunteer-run by Tao LaBossiere and his wife. They are both active in the art scene all throughout Hartford County. And the shows they put on at the gallery are well worth the trip downtown.
From Chaparro’s emotive and musical mixed media paintings to the simplified paintings but full of depth and texture by Amy Vensel and a great installation piece by my friend Terrance Regan, the show couldn’t have ever let me down.
We have entered the last week of our current exhibition and I recommend for all of you (within reasonable distance of central Connecticut) to come and visit “Natural Forms” before it closes on April 9th. That’s this Thursday, so hurry up!
As I get back into the rhythm of writing, I can’t help but feel a bit guilty for not having written in two months. So I am hoping that this post reaches the masses so they can discover the beautiful artwork we presently have installed in our CCSU Art Galleries.
It was a chaotic few weeks prior to the opening of Natural Forms on March 23, 2015. Logistics for transporting artwork to our gallery took a bit of communication, team work and lots of energy.
The four exhibiting artists were Josh Axelrod, photographer from Vertmont; Amelia de Neergaard, installation artist living and working in Connecticut; Raphaela McCormack, a fiber artist originally from West Ireland living in Rochester, NY; and finally Bryan Nash Gill, a Connecticut artist who worked making relief prints and sculptures.
All the artists’ work relates so well to each other in this exhibition, it is as if they spoke the same language or carried the same spirit. And it’s how we relate to all of it that makes for an important insight. Come and sit on our bench and enjoy the serene movement of de Neergaard’s “River of Trees,” it will clear your mind. Need a breath of fresh air? Axelrod’s landscape photos can provide you with that as well. Or you can get lost in any of Gill’s etchings which seem to have endless layers to them. As for McCormack’s forms, you can almost picture her vessels drifting on the water toward the horizon.
McCormack’s abaca pulp (made from banana leaves) forms were the original inspirations for Cassandra Broadus-Garcia, the curator (my boss), to put these four artists’ work together and create a very raw escape from the concrete and technological.
Hoping that you will appreciate browsing through the pictures from the exhibition, I leave you, also, with a short video of Bryan Nash Gill from Martha Stewart’s American Made series.